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| PAST PROJECTS - LABORATORY PROGRAMME |
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Workshops | Technical courses | Productions
Workshops
2009
We Can Xalant. Nomadic architecture and self-construction Laboratory
Workshop by a77 and Pau Faus
[july 2009]
This project posed, first, to reinterpret the old architecture of the artist Tadashi Kawamata -placed in the courtyard of Can Xalant and known as the "Xiringuito Mataró"- and, secondly, to develop a mobile unit as an extension to the center towards public space. It's a collective construction project, formed from a network of institutions and individuals representatives of the immediate environment of Can Xalant.
More information: http://www.wecanxalant.blogspot.com
DISRUPTION
Workshop by the artist Rirkrit Tiravanija and the curator Martí Peran
A proposal by the artist Josep-Maria Martín
[april 2009]
Organized by Pole Art Action, HEAD, Haute École d’Art et de Desing Geneve, HEART Perpignan and Can Xalant.
The workshop was considered as a platform for meeting and exchange with art students from different cities (Geneva, Perpignan, Montpellier and Barcelona). The starting point was the irruption by the group in the specific area of Can Xalant in order to remain in the center for a week to produce a work that was presented publicly the last day.
The workshop gravitated on the idea of creating a common space collectively, with the necessary negotiations to be allowed to agree on ways of being together.
The starting point was an event production collective of experimental and productive type. To build a site and designing ways for its saturation. The aim was that the event reverberated in multiple directions through the plurality of action centers: self-organization, occupation of the space, definition of immediate objectives, process documentation and public presentation.
History and Aesthetics of documentary film
Workshop by the filmmaker Lupe Pérez
[february 2009]
The seminar on documentary film was aimed at all audiovisual professionals interested in the forms, narrative constructions and history of the called reality cinema.
2008
Alternative Defeats. Now(/)Here-Mataró
Workshop directed by artist Rogelio López Cuenca
http://www.malagana.com
[October 2008]
Now(/)Here - Mataró is a critical analysis of the different methodologies used in various art projects in public areas as a framework for a work which could be used in the city of Mataró as a specific reference point: thus one could draw a map of the otherness, other places, other stories on the back of its event panels and its heroes and monuments.
Objects to forget. Welcome to Guantánamo
Workshop directed by artist Alicia Framis.
[June 2008]
The Guantánamo prison will probably be turned into a museum! This statement is the basis of Alicia Framis’ project Welcome to Guantánamo Museum. There is an almost excessive trend to make museums out of everything without any discerning logic, as occurred with the concentration camps such as Auschwitz or prisons such as Alcatraz where tourist souvenirs and postcards may be created from the memories of horror. But perhaps these "memorials" must exist, since oblivion and amnesia might even be worse than domesticating things. Starting from this thought the artist presented a workshop to work on the idea of objects "to forget" in which over four days several objects were made (souvenirs) which encouraged thought and reflected the current reality of Guantánamo on what, according to Alícia Framis, could be its future: a museum. Some of the results of the workshop were exhibited in Alicia Framis’ exhibition at Centre d'Art Santa Mònica in Barcelona which opened in July 2008.
CROSSING THE SYSTEM
Workshop directed by Stefano Romano, artist and independent curator.
Can Xalant | IDENSITAT
[March 2008]
Research workshop on the system of art and the idea of system in general. The essential aspects in discussions on contemporary art were discussed in debates and several actions which were gradually defined in the workshop with the aim of reflecting on the different roles and the agents involved in the system of art and the relationships of power which are established in decision making.
Pedagogy of art as social work
Workshop directed by Cuban artist René Francisco resident at Can Xalant from 15/02 to 15/03
http://www.renefranciscorodriguez.com/
[February 2008]
DUPP, which in Catalan stands for From a Pedagogical Pragmatism, is the name given to the pedagogical projects which artist René Francisco began to create in 1990, at the Higher Institute of Art in Havana (ISA) as an alternative to the teaching programmes at that time. With no pre-established programme, no class schedules, no classroom or particular place, and after breaking down the barriers between pupil and teacher came a format of work based on action, thought and dialogue starting from experiences in groups focused on public places and social interaction.
2007
Travellings. About travelling as an art form.
[December 2007] Seminar on travelling as an art form, aimed at artists, writers, art students and anybody with the aim of getting new forms of art from a journey. The seminar was attended by:
Leo Faccio, journalist and photographer
Pep Dardanyà, visual artist and anthropologist
Domènec, visual artist
Lupe Pérez, film director
Lluïsot, cartoonist and illustrator
Jordi Carrión, writer and teacher of literature Activity set in the idea following the script for the 2007-2008 season at Ca l’Arenas, Centre d’Art at the Museum of Mataró, Roda el món. El viatge. This seminar began as a complementary activity to the group exhibition Tràveling Circular with Jordi Carrión as curator.
Expanded Documentary – screen and space: Documentary shoe strategies
Workshop directed by artist and documentary maker Jacobo Sucari
[november 2007]
El workshop focused on the environment of a new way of depicting contemporary documentaries and how currently the two dimensional backdrop of TV or cinema is being extended by including new formats.
An exercise of reflection was presented based on new ways of depicting art, found in this new type where there is a convergence of cinema, video, photography, computer science and installation, and the development of ideas for documentaries based on this new conception.
Literal Meanings and Waste (Poetic, waste, palimpsest...)
Workshop directed by the artist Salvador Juanpere
[July 2007]
Activity complementing the Youth Art Show in Mataró 2007.
This workshop presented a work of expression through texts which linked the Can Xalant Art Centre with the municipal waste tip close by. Each participant’s processes of text were worked on to obtain personal poetry and to place them in art by the use of certain waste materials or the idea of a waste area.
2006
Temporary Architecture
[May 2006]
Workshop with Tadashi Kawamata, coordinated by Gilles Coudert
Visual artist born in Japan in 1953. Since 1977 he has taken part in a large number of projects and exhibitions throughout the world.
This workshop is aimed at visual artists and architects, art students and students of architecture and interior design. The objective of the workshop is to think up, design and produce temporary architecture for the patio of Can Xalant to become a usable space for the Centre’s complementary activities.
The Aesthetics of Resistance
[June 2006]
Workshop by the Chilean artist Alfredo Jaar
How does one make art when the world is in such a state? How does one make art out of information that most of us would rather ignore? How does one inscribe an artistic practice in a landscape over-saturated by consumption? How does one make visible the invisible?
This intensive 12 hour workshop explored methods through which artistic practice can approach contemporary realities in new and creative ways. They explored new strategies of presentation and re-presentation in the hope of creating new models of public interventions and resistance.
Endless Translation. Tests on Visualization and Synesthesia
[october 2006]
This workshop was presented by Mexican artist Erick Beltrán and aimed at the general public, and was focused mainly on specialities where work involves graphic representations of information. The purpose was to analyse several ways of turning information into visual representations, ranging from symbols to synoptic tables, or from family trees to flow models, with the reference point always focused on experimenting with synesthesia.
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Technical courses
2009
Digital photography in the artistic processes
By Daniel Caño
The course was designed to provide reinforcement to the professional practice of the artists that integrate digital photography into their processes of creation or communication, and provide a solid basis for further self-learning.
Final Cut
By Xavier Martínez
Course of initiation of Final Cut tecnology, the most popular non-linear digital editing software in the world. Compatible with almost video formats.
2008
Code of Good Practice in Visual Arts
Continuous training for visual artists
Directed by Florenci Guntín, general secretary of AAVC, Muntsa Roca, coordinator of AAVC and Lluís Brun, lawyer and co-author of "Codi de Bones Pràctiques Professionals a les Arts Visuals".
[September 2008]
This course aimed to make people aware of the code of good practice and the different kinds of contractual relationships between professional agents in the sector. An introduction to the main concepts and uses of the book "Codi de Bones Pràctiques Professionals a les Arts Visuals".
Activity organised by AAVC (Associació d’Artistes Visuals de Catalunya)
Final Cut Pro
Courses directed by Xavier Martínez
[1] Final Cut Pro. Intensive course [July]
This twenty-hour course dealt with Final Cut Pro technology, the most popular non-lineal digital editing program in the world and is compatible with almost all video formats.
[2] Post-production with Final Cut Studio 2 [November]
Understanding the "Motion-3" composing software (stabilising images, tracking, system of particles, complex masks, working with the field of 3D simulation cameras), superficial Pro-Vision soundtrack of software to understand the audio program of the suite (sound effects, composing music and multi-track editing)- and Compressor, understanding how the tool of transcoding works. Interfacing these programs with "Final Cut Pro".
Production Meetings for art projects
Course directed by Maribel Perpiñá, cultural producer LaPinta
[June 2008]
This course was aimed at assimilating knowledge and necessary methodologies for efficiently developing and managing all stages of art project production.
Electronic art: Ways to preserve it
Directed by Taxonomedia (Vanina Hofman and Consuelo Rozo) with the collaboration by André Menks.
[May 2008]
The purpose of this meeting was to highlight the importance of preserving electronic art and to begin a debate on the real possibilities of preserving it using the case study system. Presentation of the piece Magmimesis, 2006 by André Menks, an interactive audiovisual installation which focuses on the problem of the ageing process and conserving technological art.
The meeting was aimed mainly at artists and creators who work in the field of new media, although the doors are open to teachers, curators and the general public who are interested in reflecting on and finding alternative ways to conserve heritage in general.
2006
GNU/Linux for artists
[March 2006]
The first in a series of workshop wich aims to show everything free software can offer us. Designed as an to the free GNU/Linux operating system, its installation and operation, and also as an introduction to the tools for the visual production: design 2D, video editing, Video Jockey, etc.
Tools and creative process: The first impression
[June 2006]
Tools for the communication and presentation of the artistic professional trajectory. By Joan Morey, Albert Folch and Ignacio Uriarte.
This intensive workshop lasting 12 hours explored the methods by means of which the artistic practice can come near to the reality of a new and creative way. New strategies of presentation and representation with desire were investigated to create new models of public intervention and resistance.
Post-production of sound with the Protools system
[september 2006]
With Salvador Corominas, sound technician.
The workshop was addressed at everybody that linked to the audiovisual production world and who wish to work with sound as professionals.
Soundtrack Workshop
[October 2006]
This workshop was presented by Miguel Marín, Jens Neumayer, Miquel Àngel Alemany and Ian Briton, who are music and soundtrack composers for the audiovisual media, mainly cinema. The aim of the workshop was to show from a practical viewpoint, the creative methods and tools that can be used to provide music, sound art and sound effects for audiovisual works.
Introductory Course to Video Post Production with the Final Cut Pro System
[November-December 2006]
This course was aimed at teaching the technology involved in non linear digital editing with Final Cut Pro which is compatible with almost any video format. In this course the attendants studied interfaces, capturing and importing material, editing, applying transitions and filters, managing archives, exporting material, an introduction to Apple Pro applications and integrating with Adobe Photoshop.
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Productions
2010
kofiq. scmute
Marcos Bernabé Serrano
In the early 20th century the Futurists proclaimed the birth of a new art, "the art of noise", as a natural evolution of contemporary musical language. According to Russolo, instruments could be replaced by machines.
scmute is the alter ego of Marcos Bernabé, trained as a software developer and self-taught as a sound artist influenced by contemporary musicians such as Pierre Schaeffer, Iannis Xenakis, John Cage or Cur tis Roads. His current work is focused on the development of a software that breaks the sound in grains and reorder it by new sound organization model.
kofiq is a contemporary sound work between concrete music, microsounds and computer music. The first cut - kofiq - takes sounds
from sources as diverse as prepared instruments or field recordings taken on the outside of Can Xalant Creation Center. An stochastic process takes fractions of such recordings and arrange it in series or clouds of sounds. The two cuts following - eora and zyo - take the first cut as raw material and using a completely independent process break it down into parts that are mixed to form a new work.
The names of the various cuts have been decided by a system that generates words by concatenation of random letters.
The work has been produced in the Centre for Creation and Contemporary Thought Can Xalant from Mataró.
kofiq can be downloaded freely from web page of the tecnonucleo.org netlabel
2009
Coming soon
2008
» Production grants
Grants for production and exhibitions: Nivell Zero exhibition Hall in the Fundació Suñol and Can Xalant
Can Xalant and the Nivell Zero Exhibition hall at Fundació Suñol in Barcelona together prepared a competition to provide a grant to produce and exhibit a video project. The grant was awarded to the project Goggle Earth (els ulls arran de terra), a video-installation by Isaki Lacuesta and Isa Campo. The project consisted of a series of portraits and films of places which Google Earth hides from us (military areas, training camps, government buildings, natural parks where speculators build illegal blocks of houses, nudist beaches...), where they went to gather information on the reality to then compare it with the false view we may obtain from our computers. This project will compare the hyperrealist and allegedly objective view of Google Earth with a real (and also subjective) view of our pictures from ground level.
The video-installation will be exhibited in the Nivell Zero Hall at Fundació Suñol in 2009.
Youth Art Show 2008
Collaboration in producing works by Isabel Andreu and Lola Lasurt made in framework of the speciality of relocated projects from ART JOVE 2007.
Expendeduria 193. Lola Lasurt | El Embrujo de Shangai. Isa Andreu
Going Public 08. Port City Safari
4th annual meeting of Going Public organised by aMAZElab in Milan. The event has always focused on relations between art and territory starting from productions, seminars, workshops and books. This time Can Xalant produced the book on the project by Xavier Arenós Schengen The Castle, which was presented in Bristol during the Going Public meetings.
Constant Biofílica (gardening project). Oriol Gran
This work consists of changing Can Xalant’s outdoor area with the aim of favouring such things as the memories, experimenting, observing and/or the imagination of those fond of gardening through a constant, unstoppable workshop of causes and effects of all that exists. The tools used in this project to promote this experiment ate all the techniques we can think of to protect the biodiversity.
» Other productions made at Can Xalant
Processos d'aprenentatge. Post-it city. Glòria Safont-Tria and Laia Solé. Video editing
Écoles de rue, Entrevistas and Rutas / Un lugar en el mundo. Cecilia Postiglioni. Video editing
Rieres i Rambles. Video editing
Le Phare. Abdoul Aziz Cissé. Video editing
Airvoland. Teresa Rubio and Charela Díaz. Digital printing
Origin. Erkan Özgen. Video editing
A través de l’audiovisual. Teleeduca. Video editing
Revista Roulotte Video editing for the presentation at Fundació Sunyol
Ensayo_04. Luz Broto. Video editing
Anònims/Anónimos. JM Calleja. Video editing
Oscar Abril-Ascaso + sedcontra avec le autres. Audio recording and postproduction
Lacrima. Josep Rodri. Audio postproduction
Fundacions d’Art. Àngela Guerrero. Video editing
Escenari#1. Arxiu Espartaco-els col·lectivitzadors. Xavier Arenós. Video editing
Uunniiqquuee. Gemma Tro. (Espai F, Mataró). Video editing and postproduction
» Foreing Productions
Maltepe. Raquel Friera. Video editing
Nakba_48. Domènec and Marta Ramoneda. Video editing
Cotidianidades. Marta Petit. Video editing
Camuflatges. Laura Marte. Digital printing
Projecte en procés. Álex Reynolds. Photo editing
Nostàlgia periurbana. Carlos Albalá & Ignasi López. (La Capella). Digital printing
Projecte E/F. Mireia Saladrigues. Video editing
El bosc. Jordi Mitjà. (El Bòlit Centre d’Art de Girona). Video editing
Mundo é teu. Rubén Grilo (CGAC). Video editing
Romperlo todo y que haga tiroriro. Ana Garcia-Pineda and David Armengol. (Museu Abelló de Mollet). Photo Shoot
Huuu Komsu. Raquel Friera. Video editing
Un record per Pellestrina. Glòria Safont-Tria. Video editing
Traducció a Farrera. Aleix Gallardet. (Centre d’Art i Natura Farrera). Video editing and postproduction
De lo uno y de lo otro. Patricia Ward. Video editing
Video editing for the presentations of books MATARÓH! and ARGENTONAH!, by Soler&Balcells.
2 You Maestro. Postproducció de l’audiovisual de l’espectacle del Ballet de Victor Ullate. Lupe Pérez, Carlos Essmann, and Isaki Lacuesta.
2007
Imatges del benestar. Claudio Zulian
[november 2007]
Co-production of a video installation called Retrats de discursos/Els motius de l’emigració by artist and producer Claudio Zulian included in the activity Images of Wellbeing.
Papierfalten. Ignacio Uriarte
[november 2007]
Animated film in stop-motion. The main character is a fold in a piece of paper A4 which covers the sheet in a thousand ways. The final work will consist of two projections, in which those of the left side of the sheet are static and the fold covers the sheet, and the fold on the right is static and it is the sheet that does the travelling. In both projections the fold (height, angle, etc.) is the same but the effect is completely different.
Videominut
[october 2007]
Project directed by Drac Màgic and organised by the Youth and Women’s Services, New Citizens Service, Twinning Section and the Mataró council’s PMC.
Propera. Katalin Sóos i Monika Bálint
[May-September 2007]
Editing videos in the Propera Project for Idensitat 07
Points de Vue. Laurent Quénéhen, Glòria Safont-Tria i Marie Laurel
[july 2007]
Production of the photography exhibition Points de Vue for the Open Day at Can Xalant by artists Laurent Quénéhen, Marie Maurel and Glòria Safont-Tria.
Photographic project made based on the visible area which lies in front of Can Xalant, overlooking the sea, and where two points were fixed. Each artist expressed their perception of the landscape, which proves to be a report of the place fro three different views.
Coming to blows. Ana Patricia Palacios
[july 2007]
Ana Patricia Palacios was the Colombian artist chosen for the exchange with Medellín in July 2007. Coming to blows is a work made in New York in 2006, a hybrid between the Dualitat series which starts from the phenomenon of double or identical beings, and the series Absurds Paral·lels, which is an ironic view on an individual’s problems in everyday situations.
La Colmena. Cecilia Postiglioni
[july 2007]
This video comes from the recording of a performance by artist Cecilia Postiglioni from the show titled “domicili en permuta” by the MAS group. For a day eight private homes were turned into exhibition areas open to the public. “La Colmena” was conceived as a site-specific work, for the home situated at Villarroel Street 58, 3r 2a, in Barcelona.
Stylus. Verònica Aguilera
[juny 2007]
A recording of the work in progress presented at the Espai F in Mataró (December 2006-February 2007) and the Generalitat’s Sala d’Art Jove in Barcelona. Based on he pantone 072C blue, the action occurs by making colour photocopies in the chosen pantone colour in different copy shops in the city.
Blindscape. Aníbal Parada
[june 2007]
Project by artist Aníbal Parada for CROSSING PLAUS" IN the Dark, for those who can’t see art"
Based on a dance of a Spanish dancer (bailaora), to push her to extreme visual stimuli by providing the spectator with different feelings regarding an aesthetic change: she dances in complete darkness. As the sound rises the focus lighting up the bailaora goes out. Lost glances and blind eyes, with ultraviolet rays that spy in the dark, as if we could freely see someone who we know can’t see us. Have you ever seen a blind man dance?
Cartonero a domicilio. Cecilia postiglioni
[April 2007] Production of the work exhibited at Can Palauet for the Sixth Mostra d’Art Jove in Mataró.
Pista telemàtica. Roc Parés i Kenneth Russo
[june 2007] Production of the project Pista Telemàtica for Idensitat 2007.
Absorbe oscuridad. Verónica Aguilera
 [February 2007] Video graphic documentation on the project of public space involvement Absorbe oscuridad carried out in 2006 in Frankfurt. Òscar Abril Ascaso + Sed Contra avec les autres[maig 2007] Recording and postproduction of the musical project included in the "Centre d’Art Promociona La Música Pop" project at the Centre d’Art Santa Mònica. P_O_4 Oficina ® / oficina d'Imatge. Ignacio Uriarte
[may 2007]
Collaboration in the production of a project "Oficina d'Imatge" by the artists Ignacio Uriarte and Samuel Labadie for Processos Oberts 04 de Terrassa.
Aparador La Cosa. Alberto Fregenal
Co-production of a project by artist Alberto Fregenal for the Aparador de La Cosa in Barcelona.
Real State #4. Domènec
[april 2007]
The video “Real Estate #4” is part of the “Real Estate” project which includes a publication, installation and four videos. “Real Estate” is a project produced by JCVA (Jerusalem Center for the Visual Arts) and ICUB (Institut de Cultura de Barcelona) with collaboration from Can Xalant.
Mea Shearim, Jerusalem. October 2006. A day before the feat of Sukkot. The inhabitants, orthodox Jews from the Mea Shearim neighbourhood in Jerusalem hurry to get everything ready to live for seven days in temporary huts, ephemeral buildings called Sukkah, to recall the years spent as Nomads in the desert.
Zona Intrusa[april 2007] DVD of the Zona Intrusa project and production of the project by Amasté for the exhibition Zona Intrusa in the Municipal exhibition halls at Can Palauet in Mataró. Prenent consciència. Patricia Boadas
[January-March 2007] Documentary on building a school in Cambodia. The aim of this documentary was to make the public aware and fund the building of new schools. Other productions made at Can XalantAns Act by Werner Thöni (January 2007)
Strip-tease by Werner Thöni (January 2007)
L’aranya by Julian Waisbord (January 2007) Espais Latents by Pere Masramon (February 2007) Maja vestida/Maja desnuda by Raquel Muñoz (March 2007) Vànitas by Àngel Corral (May 2007) La inculcación by Núria Güell (June 2007) Cotidianidades by Marta Petit (December 2007) Sobre perder el tiempo by Raquel Sánchez-Friera (November 2007) Projecte E/F by Mireia C. Saladrigues (November 2007) Malpete by Raquel Sánchez-Friera (December 2007) Escultures en moviment by Joan Saló Braut (December 2007) ^ top
2006
Program of video for Off Loop Festival 2006
[may 2006]
Can Xalant showed a video programme in the auditorium of the "Escola Massana" of Barcelona for the Off Loop festival 2006 with a selection of works by visual artists from Mataró and the Maresme region, most of whom were very young and in process of becoming professionals. The chosen selection was representative of the diversity of proposals to which the Center is wanted to give support.
Veronica Aguilera. "Freckle" 12' 00''
Mónica Anglada. "Uoiba" 07' 09''
Jordi Cuyas. "The Dead" 2, 02' 30''
Albert Ibañez. "Body Art" 02' 58''
Kiko Montoro. "To use and to throw" 01' 30''
Marta Petit. "Bestiary in time war" 02' 20''
Octavi Royo. "Individuality" 02' 48''
Glòria Safont-Tria. "Dionysus" 08' 24''
Gemma Tro. "We always move between undefinied actions" (extract) 02' 03''
Julian Waisbord. "How things change!" 00' 46''
Cova Macías Project
[july 2006]Edition and post-production of the Flashback video by the artist Cova Macías, made to be shown at "Ca l'Arenas" (Art Center of the Mataró Museum ) from July 1st to October 15th within the series "Gentlemen and Ladies". Project generated from the programme of visual arts from the "Municipal Cultural Committee" of Mataró which invited the artist Cova Macías (Oviedo, 1976) to make a video work with the volunteer students from several secondary schools from the city. The artist displayed the project in each education centre, accompanied by the visualization of his work and invited the young people who are protagonists to actively collaborate in the video in diverse phases of development and execution (research work, script and filming).
More information>Sound production "the New Musics of urban groups of Mataró"  [july 2006]Som de rumba + digital artist El Odio A project-workshop that brought together musicians of different origins to explore the link between electronic music and the flamenco. The result of this workshop could be heard during the days of the "Efímer Club" that took place in Can Xalant ( 21 to 23 July 2006)
Drops
 [july 2006]
This video was jointly made by all resident artists in the studios of Can Xalant: Cecilia Postiglioni, Verónica Aguilera, Julian Waisbord, Octavi Royo, Kiko Montoro and Mónica Anglada. The video was displayed in Can Xalant during the Open days from 21 to 23 July 2006. Producing the project “Filing Cabinets in Archive”
[October 2006]
Artist Ignacio Uriarte (Barcelona) used the multipurpose room on the ground floor as a set for a photography session and later a video was edited and post production carried out on this work.
Producing projects for “Atlante Mediterraneo 06”
[October 2006]
Artists in the project “Going Public’06. Altlante Mediterraneo” in Barcelona (Aníbal Parada, Estefanía Quiñonero, Cristina Garrido, Susana Malagón, Núria Güell, Raquel Sánchez Friera i Pedraza) produced the projects “Barcelona, Tourist Bus”, “Mobility without Frontiers” and “The Door” which were presented in Modena in November and in Barcelona and Mataró in January 2007.
Society Art. Recordings of Production by Oriol Fontdevila
[October 2006]
Oriol Fontdevila (Manresa), Art critic and curator, carried out the editing and post production in Can Xalant of a documentary project for the collective exhibition “Social Grafts” co-produced by Let’s Experiment with Art and the Cultural Agency of Mataró and managed by Dolors Juárez.^top |
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